
THE MEG (2018)
Interior Spread
Client: Sony Pictures Imageworks
Director: Jon Turteltaub
VFX Supervisor: Sue Rowe
VFX Art Direction: Daniel James Cox

Client: Sony Pictures Imageworks
Director: Jon Turteltaub
VFX Supervisor: Sue Rowe
VFX Art Direction: Daniel James Cox
At Sony Pictures Imageworks, I was brought on at the start of post-production to explore visual concepts for the underwater sequences in the climactic battle. My role was to develop keyframes that would help guide early discussions between VFX Supervisor Sue Rowe and the production team.
While the initial frames were considered "too painterly" by production, they ultimately served as a valuable visual reference, with many of the key design elements aligning closely with the final on-screen shots, as seen in the comparisons below.
Art Direction > Final frame
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Final frame
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Final frame
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Final frame
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Final frame
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Final frame